New Haven and London: Yale University Press.Ĭhiang, Feichi (2016).
The Melodramatic Imagination: Balzac, Henry James, and the Mode of Excess. Cambridge: Cambridge University Press.īrooks, Peter (1995). “Male Homosexuality as Treated by Japanese Women Writers.” In The Japanese Trajectory: Modernization and Beyond, edited by Gavan McCormack and Yoshio Sugimoto, 186-204. “Explaining Attitudes about Homosexuality in Confucian and non-Confucian Nations: Is There a ‘Cultural’ Influence?” Social Science Research 51: 276-89.Īoyama, Tomoko (1988). The adaptation of Guardian from novel to drama and its reception becomes a battlefield of strategic compliance and resistance, where economic demand and political power, modern liberal attitudes toward gender, sexuality, and equality and traditional values concerning harmony, conformity, and authority contest and negotiate.Īdamczyk, Amy and Yen-hsin Alice Cheng (2015). If the intentional expurgation signifies a strategy of survival confronting the restrictions imposed by censors, then the fans’ creative activities work as a kind of resistance to the (post)socialist ideology in China, where homosexuality has been considered a violation of traditional Confucian values, where supernatural narratives have been viewed as backward superstitions, and socially wronged lower-class members are seen as a threat to social stability. Through an in-depth analysis of this series, the article explores the contestation and negotiation between the “top-down expurgation” from the drama’s production team during its adaptation process and the “bottom-up subversion” from the fans of this series during its reception and consumption. This article examines how the adaptation process and fan engagement are constituted in the Mainland China media landscape by focusing on the phenomenally popular online drama Guardian (镇魂2018).
She attended the 23rd Biennial Congress of IRSCL in Toronto, August 2017 and received a three-month fellowship from The International Youth Library, Munich, Germany in 2017.Īdaptation, Media Censorship, Chinese TV drama, Boys’ Love Fandom, Fan Fictions Abstract
She has published several critical and creative writing works in Chinese.
in Chinese Language and Literature from Beijing Normal University and remained at Beijing Normal University to complete her M.A. Her project focuses on the transformation and adaptation of traditional stories in contemporary fantasy films and novels in China.
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